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The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter’s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the ‘evil of living’ that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and madness...