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Year: 2017Subject: symbolAccess: metadata onlyclear all
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4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TRADITION IN INNOVATION – NEW AND OLD SYMBOLS IN CONTEMPORARY ORTHODOX ICONOGRAPHY AND ARCHITECTURE

(STEF92 Technology, 2017, J. Uscinowicz)

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Two – thousandth years of history of Christianity proved that a main criterion of a value of church architecture was not based on architectural precursors. This architecture was sacred because it was a carrier of a „truth of God” and – like a liturgical mysterion and iconography art – it was a theological comment. It was a codified language of the transposes of religions essences and orders, into the form of architectural expression. This was in an East Christianity and this happens there up to this day. This pape...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-96-4 / ISSN 2367-5659, March 28-31, Book5, Vol.1, 229-236 pp, DOI:10.5593/SGEMSOCIAL2017/
Publication

PROFANUM VS. SACRUM

(STEF92 Technology, 2017, J. Uscinowicz)

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Today's world of architecture and art is more frequently separated from transcendence. The pressure of the pragmatism of a sign brutally annuls imagination. The language of symbols seems to be dying out. The victory of semiology, analytical rationalism and the reign of information communication are all the effects of the triumph of a sign over a symbol. The art of architecture, especially its sacral variety, ought to remain symbolic if it wants to be permanent and eternal. So, if it is expected to be the authentic...

ART & HUMANITIES: Section Architecture & Design2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

NEW ART OF ICON IN A NEW CONTEMPORARY ORTHODOX ARCHITECTURE – APPLICATIONS VERSUS SYNTHESIS?

(STEF92 Technology, 2017, J. Uscinowicz)

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Poland, as cultural and religious borderlands which are now, as in the past, a part of Latin, West Roman-Catholic, Greek-Slavic and East Orthodox culture, is a good place to apply comparative analyses of art of both Christian Churches: the Eastern and Western one. This paper presents selected examples of interaction between architecture, iconography and theology in contemporary sacred art of the last decade in Poland. It also shows the process of evolution of traditional spatial and functional structures and appli...

ART & HUMANITIES: Section Performing & Visual Arts2017
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