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The article is devoted to the analysis of the creativity of the modern Mongolian artist Zorigt Uyanga. The author pays special attention to the means of artistic expressiveness used by the artist in the series “Women of Mongolia”. The paper provides art-critical research of cultural and historical background which forms the basis of the series. It reveals a special interest of the artist to the role and semantic of costume (or its absence) and traditional female hairdo. Mentioned points and their modification in g...