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This research concerns the mystery as epistemological and aesthetic category. The objective of this paper is mystery as the particular form of conscious. The main target is the esthetical hypostasis of mystery and its role in art’s evolution. Phenomenological conception of conscious by E. Husserl is the base of the research as the method. It is dedicated to phenomenological conception of conscious and we emphasize the intentionality is the most important issue of this conception. Subsequently we consider that the ...

Our article analyzes the stylistic characteristics of Stabat Mater in the history of music, for the last four hundred years. The Stabat Mater is a XIII th-century Catholic hymn to Virgin Mary, which portrays her suffering as Jesus Christ's mother during His crucifixion. Stabat Mater Dolorosa is considered one of the seven greatest Latin hymns of all time. The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers, most famously by Palest...

The conditioning offered by analysis models is exclusively cultural, creating the way in which we approach the score. The analysis projects over the object score automated study operations, not seeking to extract its contents, but rather to function itself (to demonstrate the nature of ‘what is’). Often, the substance of the score may cause situations through which the ‘philosophy of analysis’ cannot grasp the subject of the music involved. The flow of the sound’s movement is expected to be understood by reading i...