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The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter’s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the ‘evil of living’ that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and madness...

Today we are assisting the increasing diffusion of text-to-image programs that are causing many debates relative to aesthetics and culture and therefore the images produced via a "prompt" defined by the user. In fact, there are disturbing questions behind all of which it hides and hides a banalization of the idea itself of art and consequently that of AI, however, it raises fundamental questions, such as: AI can effectively produce art or, at least, artistic content that is also relevant? Can AI be considered as a...